Pe cine am scoate dintr-o istorie literara si pe cine am pune in loc?
Am asistat acum citeva zile la o discutie despre istoriile literare, in special despre cele românesti. Mai exact despre felul in care sunt facute istoriile literare, cita doza de subiectivitate intra in selectarea unor autori, dincolo de stil, impresionist sau rationalist, cu metoda sau fara, foiletonist sau structurat pe curente. Concluzia a fost, cel putin atunci, ca exista un set de autori pe care nu ii poti ocoli, indiferent de preferintele personale, insa in aceeasi masura exista un alt set de autori care ar putea foarte bine sa fie omisi, inlocuiti cu altii sau sa suporte categorice modificari de perspectiva, ceea ce de altfel sesi observa daca iei trei sau patru istorii literaresi le compari. Bineinteles, este vorbasi de accent, de importanta pe care o au anumiti autori din categoria discutabila in structurarea logica a lucrarii, precumsi de preferintele pur personalesi de orgoliul fiecarui isoric de a "descoperi” pe cineva, omis pâna la el.
Cu toate acestea, in urma discutiei, ma tot bate un gând: care sunt pâna la urma autorii pe care nu ii poti ocolisi care sunt cei pe care i-am putea scoate, sau am putea modifica perspectiva asupra lor, din cei deja consacrati de istoriile cunoscute? Asteptsi opiniile dumneavoastra, daca se poate, argumentate pe scurt.
February 24th, 2007 at 12:51
Sincer sa fiu, nu stiu cui ii mai pasa de istoriile literare. Daca tie iti place un autor, poate sa nu fie in nicio istorie, ca pe tine nu o sa te intereseze, o sa-l citesti oricum. Intrebarea cred ca are rost doar pentru studentii la litere sau intelectualii cu i mare (scriitorii cu s mare?).
Anyway.
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